aaj ik aur baras biit gayā us ke baġhair
jis ke hote hue hote the zamāne mere
By rejecting the structure of the Western short story, Intizar Husain introduced Urdu fiction to the Eastern storytelling traditions of dastan, hikayat, and katha. This revived the joy of oral storytelling in his narratives.
This article analyzes the phonological rhythm in Allama Iqbal's poetry, specifically focusing on the abundant use of sibilant and continuant sounds and the atmosphere they create.
This article explores how Allama Iqbal minimized the use of heavy aspirated and retroflex sounds in his Urdu poetry, and examines the profound impact this had on his poetic style.
