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Sher on Masjid

ek parinda chīḳh rahā hai masjid ke mīnāre par

duur kahīñ gangā ke kināre aas sūraj Dhaltā hai

ek parinda chiKH raha hai masjid ke minare par

dur kahin ganga ke kinare aas ka suraj Dhalta hai

Noor Bijnauri

ye misrā likh diyā kis shoḳh ne mehrāb-e-masjid par

ye nādāñ gir ga.e sajdoñ meñ jab vaqt-e-qayām aayā

Who is the mischievous one who wrote this line on the mosque’s arch?

These fools dropped into prostration when it was time to stand in prayer.

The couplet uses sharp irony: a “playful” inscription exposes how people follow religion as habit, not understanding. In prayer, standing (qiyam) has its place, yet they collapse into sajdah at the wrong moment, showing confusion and blind imitation. The mosque’s arch becomes a stage where their inner ignorance is revealed. The emotional core is a critique of empty ritual and a call for conscious, informed devotion.

ye misra likh diya kis shoKH ne mehrab-e-masjid par

ye nadan gir gae sajdon mein jab waqt-e-qayam aaya

Who is the mischievous one who wrote this line on the mosque’s arch?

These fools dropped into prostration when it was time to stand in prayer.

The couplet uses sharp irony: a “playful” inscription exposes how people follow religion as habit, not understanding. In prayer, standing (qiyam) has its place, yet they collapse into sajdah at the wrong moment, showing confusion and blind imitation. The mosque’s arch becomes a stage where their inner ignorance is revealed. The emotional core is a critique of empty ritual and a call for conscious, informed devotion.

Allama Iqbal

puḳhta kar le ai zāhid apnā īmāñ

masjid se pahle mai-ḳhāna paḌtā hai

puKHta kar le ai zahid apna iman

masjid se pahle mai-KHana paDta hai

Abdul Waqar
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