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aaj ik aur baras biit gayā us ke baġhair

jis ke hote hue hote the zamāne mere

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Sher on Naaz

aa.ina dekh ke kahte haiñ sañvarne vaale

aaj be-maut mareñge mire marne vaale

on seeing her own reflection she is moved to say

ere their time, my paramours shall perish this day

The ones who dress up look in the mirror and say this.

Today, those who wish for my death will die an untimely death themselves.

The speaker hears admirers/beautifiers praising themselves in the mirror, and turns that scene into a sharp boast. He implies his charm and presence are so overpowering that even his rivals’ ill-wishing rebounds on them. “Dying without death” is a metaphor for being consumed by envy and frustration. The couplet’s emotional core is proud, taunting irony.

aaina dekh ke kahte hain sanwarne wale

aaj be-maut marenge mere marne wale

on seeing her own reflection she is moved to say

ere their time, my paramours shall perish this day

The ones who dress up look in the mirror and say this.

Today, those who wish for my death will die an untimely death themselves.

The speaker hears admirers/beautifiers praising themselves in the mirror, and turns that scene into a sharp boast. He implies his charm and presence are so overpowering that even his rivals’ ill-wishing rebounds on them. “Dying without death” is a metaphor for being consumed by envy and frustration. The couplet’s emotional core is proud, taunting irony.

Dagh Dehlvi

hashr tak be-gunahī naaz karegī mujh par

vo mirā terī nigāhoñ meñ burā ho jaanā

hashr tak be-gunahi naz karegi mujh par

wo mera teri nigahon mein bura ho jaana

Shaz Tamkanat

zabt-e-ġham vufūr-e-shauq aur dil-e-nā-subūr-e-ishq

mujh ko to hai ġhurūr-e-ishq aap ko naaz ho na ho

zabt-e-gham wufur-e-shauq aur dil-e-na-subur-e-ishq

mujh ko to hai ghurur-e-ishq aap ko naz ho na ho

Hayat Amrohvi

nāzukī qāmat-e-zebā bayāñ kyā kiije

pairahan bhī jahāñ uslūb-e-nazākat māñge

nazuki qamat-e-zeba ki bayan kya kije

pairahan bhi jahan uslub-e-nazakat mange

Ishaq Athar Siddiqui
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