Sher on Tanz
We often use the word
āhumourā with āsatireā as they form a combination together and help us see the two aspects of life as such. Satires are of many kinds; they are dark and corrosive, as well as gentle and reformative. Verses in this section will help you appreciate the significance of satire in poetical terms.
ham ko ma.alūm hai jannat kī haqīqat lekin
dil ke įø³hush rakhne ko 'Ä”hÄlib' ye įø³hayÄl achchhÄ hai
Interpretation:
Rekhta AI
The poet expresses a witty skepticism regarding the religious promise of the afterlife. He implies that while he knows the 'truth' about Paradise (perhaps that it is metaphorical or non-existent), the concept itself serves a useful psychological purpose. It acts as a comforting illusion that allows people to find joy and endure life's hardships through hope.
hum ko malum hai jannat ki haqiqat lekin
dil ke KHush rakhne ko 'ghaalib' ye KHayal achchha hai
Interpretation:
Rekhta AI
The poet expresses a witty skepticism regarding the religious promise of the afterlife. He implies that while he knows the 'truth' about Paradise (perhaps that it is metaphorical or non-existent), the concept itself serves a useful psychological purpose. It acts as a comforting illusion that allows people to find joy and endure life's hardships through hope.
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Tags : Famous shayariand 3 more
ham kyÄ kaheƱ ahbÄb kyÄ kÄr-e-numÄyÄƱ kar ga.e
B.A hue naukar hue pension milī phir mar ga.e
hum kya kahen ahbab kya kar-e-numayan kar gae
BA hue naukar hue pension mili phir mar gae
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Tag : Famous shayari
ham aisÄ« kul kitÄbeƱ qÄbil-e-zabtÄ« samajhte haiƱ
ki jin ko paįøh ke laįøke baap ko įø³habtÄ« samajhte haiƱ
we do deem all those books fit for confiscation
that sons read and think their father
hum aisi kul kitaben qabil-e-zabti samajhte hain
ki jin ko paDh ke laDke bap ko KHabti samajhte hain
we do deem all those books fit for confiscation
that sons read and think their father
dil įø³hush huÄ hai masjid-e-vÄ«rÄƱ ko dekh kar
merÄ« tarah įø³hudÄ kÄ bhÄ« įø³hÄna įø³harÄb hai
seeing the mosque deserted was to me a source of glee
his house too was desolate, just the same as me
EXPLANATION #1
ą¤ą¤ø शą„āą¤° ą¤®ą„ą¤ शायर ą¤Øą„ ą¤ą¤¼ą„दा ą¤øą„ ą¤®ą„ą¤¾ą„ ą¤ą¤æą¤Æą¤¾ ą¤¹ą„ ą¤ą„ ą¤ą¤°ą„ą¤¦ą„ ą„ą„ल ą¤ą„ ą¤Ŗą¤°ą¤ą¤Ŗą¤°ą¤¾ ą¤°ą¤¹ą„ ą¤¹ą„ą„¤ शायर ą¤ ą¤²ą„ą¤²ą¤¾ą¤¹ पर ą¤µą„ą¤Æą¤ą¤ą„य ą¤ą¤°ą¤¤ą„ ą¤¹ą„ą¤ ą¤ą¤¹ą¤¤ą„ ą¤¹ą„ą¤ ą¤ą¤æ ą¤¤ą„ą¤®ą„ą¤¹ą¤¾ą¤°ą„ ą¤¬ą¤ą¤¦ą„ą¤ ą¤Øą„ ą¤¤ą„ą¤®ą„ą¤¹ą¤¾ą¤°ą„ ą¤ą¤¬ą¤¾ą¤¦ą¤¤ ą¤ą¤°ą¤Øą¤¾ ą¤ą„औ़ ą¤¦ą„ ą¤¹ą„ ą¤ą¤æą¤øą¤ą„ ą¤µą¤ą¤¹ ą¤øą„ ą¤®ą¤øą„ą¤ą¤æą¤¦ ą¤µą„ą¤°ą¤¾ą¤Ø ą¤¹ą„ ą¤ą¤ ą¤¹ą„ą„¤ ą¤ą„ą¤ą¤ą¤æ ą¤¤ą„ą¤®ą¤Øą„ ą¤®ą„ą¤°ą„ ą„ą¤æą¤øą„मत ą¤®ą„ą¤ ą¤ą¤¼ą¤¾ą¤Øą¤¾-ą¤ą¤¼ą¤°ą¤¾ą¤¬ą„ ą¤²ą¤æą¤ą„ ą¤„ą„ ą¤¤ą„ ą¤ ą¤¬ ą¤¤ą„ą¤®ą„हारा ą¤ą¤ą„ा ą¤¹ą„ą¤ ą¤ą¤° ą¤¦ą„ą¤ą¤ą¤° ą¤®ą„ą¤°ą¤¾ दिल ą¤ą¤¼ą„श ą¤¹ą„ą¤ ą¤¹ą„ą„¤
Shafaq Sopori
dil KHush hua hai masjid-e-viran ko dekh kar
meri tarah KHuda ka bhi KHana KHarab hai
seeing the mosque deserted was to me a source of glee
his house too was desolate, just the same as me
EXPLANATION #1
ą¤ą¤ø शą„āą¤° ą¤®ą„ą¤ शायर ą¤Øą„ ą¤ą¤¼ą„दा ą¤øą„ ą¤®ą„ą¤¾ą„ ą¤ą¤æą¤Æą¤¾ ą¤¹ą„ ą¤ą„ ą¤ą¤°ą„ą¤¦ą„ ą„ą„ल ą¤ą„ ą¤Ŗą¤°ą¤ą¤Ŗą¤°ą¤¾ ą¤°ą¤¹ą„ ą¤¹ą„ą„¤ शायर ą¤ ą¤²ą„ą¤²ą¤¾ą¤¹ पर ą¤µą„ą¤Æą¤ą¤ą„य ą¤ą¤°ą¤¤ą„ ą¤¹ą„ą¤ ą¤ą¤¹ą¤¤ą„ ą¤¹ą„ą¤ ą¤ą¤æ ą¤¤ą„ą¤®ą„ą¤¹ą¤¾ą¤°ą„ ą¤¬ą¤ą¤¦ą„ą¤ ą¤Øą„ ą¤¤ą„ą¤®ą„ą¤¹ą¤¾ą¤°ą„ ą¤ą¤¬ą¤¾ą¤¦ą¤¤ ą¤ą¤°ą¤Øą¤¾ ą¤ą„औ़ ą¤¦ą„ ą¤¹ą„ ą¤ą¤æą¤øą¤ą„ ą¤µą¤ą¤¹ ą¤øą„ ą¤®ą¤øą„ą¤ą¤æą¤¦ ą¤µą„ą¤°ą¤¾ą¤Ø ą¤¹ą„ ą¤ą¤ ą¤¹ą„ą„¤ ą¤ą„ą¤ą¤ą¤æ ą¤¤ą„ą¤®ą¤Øą„ ą¤®ą„ą¤°ą„ ą„ą¤æą¤øą„मत ą¤®ą„ą¤ ą¤ą¤¼ą¤¾ą¤Øą¤¾-ą¤ą¤¼ą¤°ą¤¾ą¤¬ą„ ą¤²ą¤æą¤ą„ ą¤„ą„ ą¤¤ą„ ą¤ ą¤¬ ą¤¤ą„ą¤®ą„हारा ą¤ą¤ą„ा ą¤¹ą„ą¤ ą¤ą¤° ą¤¦ą„ą¤ą¤ą¤° ą¤®ą„ą¤°ą¤¾ दिल ą¤ą¤¼ą„श ą¤¹ą„ą¤ ą¤¹ą„ą„¤
Shafaq Sopori
koÄ« hindÅ« koÄ« muslim koÄ« Ä«sÄ.Ä« hai
sab ne insÄn na banƱe kÄ« qasam khaa.Ä« hai
koi hindu koi muslim koi isai hai
sab ne insan na banne ki qasam khai hai
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Tag : Insaan
baat tak karnī na aatī thī tumheƱ
ye hamÄre sÄmne kÄ« baat hai
Interpretation:
Rekhta AI
Dagh Dehlviās couplet is a cutting taunt: the speaker reminds the other person of their past inability to even hold a conversation. Now that the person appears confident or argumentative, the speaker counters with an undeniable āI have seen it myselfā claim. The emotional core is reproach mixed with ironyāexposing false pride by pointing to obvious, witnessed reality.
baat tak karni na aati thi tumhein
ye hamare samne ki baat hai
Interpretation:
Rekhta AI
Dagh Dehlviās couplet is a cutting taunt: the speaker reminds the other person of their past inability to even hold a conversation. Now that the person appears confident or argumentative, the speaker counters with an undeniable āI have seen it myselfā claim. The emotional core is reproach mixed with ironyāexposing false pride by pointing to obvious, witnessed reality.
qaum ke Ä”ham meƱ dinner khÄte haiƱ hukkÄm ke saath
raƱj leader ko bahut hai magar ÄrÄm ke saath
qaum ke gham mein dinner khate hain hukkaam ke sath
ranj leader ko bahut hai magar aaram ke sath
raqÄ«boƱ ne rapaT likhvÄ.Ä« hai jÄ jÄ ke thÄne meƱ
ki 'akbar' naam letÄ hai įø³hudÄ kÄ is zamÄne meƱ
raqibon ne rapaT likhwai hai ja ja ke thane mein
ki 'akbar' nam leta hai KHuda ka is zamane mein
rakhnÄ hai kahīƱ paaƱv to rakkho ho kahīƱ paaƱv
chalnÄ zarÄ aayÄ hai to itrÄ.e chalo ho
rakhna hai kahin panw to rakkho ho kahin panw
chalna zara aaya hai to itrae chalo ho
mai bhī hotel meƱ piyo chanda bhī do masjid meƱ
shaiįø³h bhÄ« įø³hush raheƱ shaitÄn bhÄ« be-zÄr na ho
mai bhi hotel mein piyo chanda bhi do masjid mein
shaiKH bhi KHush rahen shaitan bhi be-zar na ho
sunegÄ kaun merÄ« chÄk-dÄmÄnÄ« kÄ afsÄna
yahÄƱ sab apne apne pairahan kÄ« baat karte haiƱ
sunega kaun meri chaak-damani ka afsana
yahan sab apne apne pairahan ki baat karte hain
leaderoƱ kī dhuum hai aur follower koī nahīƱ
sab to general haiƱ yahÄƱ Äįø³hir sipÄhÄ« kaun hai
leaderon ki dhum hai aur follower koi nahin
sab to general hain yahan aaKHir sipahi kaun hai
shaiįø³h apnÄ« rag ko kyÄ kareƱ reshe ko kyÄ kareƱ
maz.hab ke jhagįøe chhoįøeƱ to peshe ko kyÄ kareƱ
shaiKH apni rag ko kya karen reshe ko kya karen
mazhab ke jhagDe chhoDen to peshe ko kya karen
hue is qadar mohazzab kabhÄ« ghar kÄ muƱh na dekhÄ
kaTÄ« umr hoTaloƱ meƱ mare aspatÄl jÄ kar
stayed away from home, on being so gentrified
spent ones life in hotels, in hospitals then died
hue is qadar mohazzab kabhi ghar ka munh na dekha
kaTi umr hoTalon mein mare aspatal ja kar
stayed away from home, on being so gentrified
spent ones life in hotels, in hospitals then died
sunÄ ye hai banÄ karte haiƱ joįøe ÄsmÄnoƱ par
to ye samjheƱ ki har biivÄ« balÄ-e-ÄsmÄnÄ« hai
suna ye hai bana karte hain joDe aasmanon par
to ye samjhen ki har biwi bala-e-asmani hai
ÄshiqÄ« kÄ ho burÄ us ne bigÄįøe saare kaam
ham to a.b meƱ rahe aÄ”hyÄr b.a ho ga.e
aashiqi ka ho bura us ne bigaDe sare kaam
hum to ab mein rahe aghyar ba ho gae
uThte huoƱ ko sab ne sahÄrÄ diyÄ 'kalÄ«m'
girte hue Ä”harÄ«b sambhÄle kahÄƱ ga.e
uThte huon ko sab ne sahaara diya 'kalim'
girte hue gharib sambhaale kahan gae
mar.Å«b ho ga.e haiƱ vilÄyat se shaiįø³h-jÄ«
ab sirf man.a karte haiƱ desÄ« sharÄb ko
marub ho gae hain wilayat se shaiKH-ji
ab sirf mana karte hain desi sharab ko
milÄ« hai duįø³htar-e-raz laįø-jhagaįø ke qaazÄ« se
jihÄd kar ke jo aurat mile harÄm nahīƱ
mili hai duKHtar-e-raz laD-jhagaD ke qazi se
jihad kar ke jo aurat mile haram nahin
pÄ« leƱge zarÄ shaiįø³h to kuchh garm raheƱge
ThanDÄ na kahīƱ kar deƱ ye jannat kÄ« havÄ.eƱ
pi lenge zara shaiKH to kuchh garm rahenge
ThanDa na kahin kar den ye jannat ki hawaen
hajv ne to tirÄ ai shaiįø³h bharam khol diyÄ
tÅ« to masjid meƱ hai niyyat tirÄ« mai-įø³hÄne meƱ
hajw ne to tera ai shaiKH bharam khol diya
tu to masjid mein hai niyyat teri mai-KHane mein
professor ye urdu ke jo urdu se kamÄte haiƱ
isÄ« paise se bachchoƱ ko ye aƱgrezÄ« paįøhÄte haiƱ
professor ye urdu ke jo urdu se kamate hain
isi paise se bachchon ko ye angrezi paDhate hain
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Tags : Mizahand 1 more
ilm hÄsil kar ke bhÄ« miltÄ« nahīƱ hai naukrÄ«
rahm ke qÄbil hai bas hÄlat hamÄrÄ« in dinoƱ
ilm hasil kar ke bhi milti nahin hai naukri
rahm ke qabil hai bas haalat hamari in dinon
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Tags : Mizahand 1 more
įø³hud tiis kÄ hai aur dulhan saaTh baras kÄ«
girtÄ« huÄ« dÄ«vÄr ke saa.e meƱ khaįøÄ hai
KHud tis ka hai aur dulhan saTh baras ki
girti hui diwar ke sae mein khaDa hai
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juute ke intiįø³hÄb ko masjid meƱ jab ga.e
vo jÅ«tiyÄƱ paįøÄ«Ć± ki įø³hudÄ yaad aa gayÄ
jute ke intiKHab ko masjid mein jab gae
wo jutiyan paDin ki KHuda yaad aa gaya
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Tags : Mizahand 1 more
pahle ham ko bahan kahÄ ab fikr hamīƱ se shÄdÄ« kÄ«
ye bhÄ« na sochÄ bahan se shÄdÄ« kar ke kyÄ kahlÄ.eƱge
pahle hum ko bahan kaha ab fikr hamin se shadi ki
ye bhi na socha bahan se shadi kar ke kya kahlaenge
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chehre to jhurriyoƱ se bhare dil javÄn haiƱ
din meƱ haiƱ shaiįø³h raat meƱ salmÄn-įø³hÄn haiƱ
chehre to jhurriyon se bhare dil jawan hain
din mein hain shaiKH raat mein salman-KHan hain
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Tags : Mizahand 1 more
fÄtiha-įø³hvÄnÄ« meƱ ahbÄb uįøÄ.eƱge polÄv
aur kareƱge mirÄ« baįø³hshish kÄ« duÄ mere ba.ad
fatiha-KHwani mein ahbab uDaenge polaw
aur karenge meri baKHshish ki dua mere baad
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Tags : Mizahand 1 more
kahtÄ« hai ai 'riyÄz' darÄzÄ« ye riish kÄ«
TaTTÄ« kÄ« aaįø meƱ hai mazÄ kuchh shikÄr kÄ
kahti hai ai 'riyaz' daraazi ye rish ki
TaTTi ki aaD mein hai maza kuchh shikar ka
kalÄm-e-mÄ«r samjhe aur zabÄn-e-mÄ«rzÄ samjhe
magar un kÄ kahÄ yÄ aap samjheƱ yÄ įø³hudÄ samjhe
kalam-e-mir samjhe aur zaban-e-mirza samjhe
magar un ka kaha ya aap samjhen ya KHuda samjhe
aa ke bazm-e-sher meƱ shart-e-vafÄ puurÄ« to kar
jitnÄ khÄnÄ khÄ gayÄ hai utnÄ« mazdÅ«rÄ« to kar
aa ke bazm-e-sher mein shart-e-wafa puri to kar
jitna khana kha gaya hai utni mazduri to kar
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Tags : Mizahand 1 more
vahÄƱ jo log anÄįøÄ« haiƱ vaqt kÄTte haiƱ
yahÄƱ bhÄ« kuchh mutashÄ.er dimÄÄ”h chÄTte haiƱ
wahan jo log anaDi hain waqt kaTte hain
yahan bhi kuchh mutashaer dimagh chaTte hain
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Tags : Mizahand 1 more
ham mÄnte haiƱ aap baįøe Ä”ham-gusÄr haiƱ
lekin ye ÄstÄ«n meƱ kyÄ hai dikhÄ.iye
hum mante hain aap baDe gham-gusar hain
lekin ye aastin mein kya hai dikhaiye
pareshÄnÄ« se sar ke baal tak sab jhaįø ga.e lekin
purÄnÄ« jeb meƱ kanghÄ« jo pahle thÄ« so ab bhÄ« hai
pareshani se sar ke baal tak sab jhaD gae lekin
purani jeb mein kanghi jo pahle thi so ab bhi hai
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jo chÄhtÄ hai ki ban jaa.e vo baįøÄ shÄ.er
vo jÄ ke dostÄ« gÄƱThe kisÄ« mudÄ«r ke saath
jo chahta hai ki ban jae wo baDa shaer
wo ja ke dosti ganThe kisi mudir ke sath
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pata hotÄ to na kartÄ kabhÄ« koÄ« nekÄ«
tumhīƱ jannat meƱ milogÄ« mujhe ma.alÅ«m na thÄ
pata hota to na karta kabhi koi neki
tumhin jannat mein milogi mujhe malum na tha
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Tags : Mizahand 1 more
un ke gunÄh kyÄ kaheƱ kis kis ke sar ga.e
tum ko įø³habar nahīƱ ka.Ä« ustÄd mar ga.e
un ke gunah kya kahen kis kis ke sar gae
tum ko KHabar nahin kai ustad mar gae
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yahÄƱ tak silsila pahuƱchÄ hai us kÄ« kam-bayÄnÄ« kÄ
vo nau bachchoƱ kÄ« maaƱ hai phir bhÄ« dÄ'vÄ hai javÄnÄ« kÄ
yahan tak silsila pahuncha hai us ki kam-bayani ka
wo nau bachchon ki man hai phir bhi da'wa hai jawani ka
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Tags : Mizahand 1 more
hamÄre laal ko darkÄr hai vahÄ« laįøkÄ«
ki jis kÄ baap police meƱ ho kam se kam deputy
hamare lal ko darkar hai wahi laDki
ki jis ka bap police mein ho kam se kam deputy
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be-vaqÅ«fÄ« ke anokhe kÄrnÄme dekh kar
achchhe-įø³hÄse leaderoƱ ko bhÄ« gadhÄ kahnÄ paįøÄ
be-waqufi ke anokhe karname dekh kar
achchhe-KHase leaderon ko bhi gadha kahna paDa
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abhÄ« to hazrat-e-vÄ.iz mazammat mai kÄ« karte haiƱ
agar mai-įø³hÄne meƱ un kÄ guzar hogÄ to kyÄ hogÄ
abhi to hazrat-e-waiz mazammat mai ki karte hain
agar mai-KHane mein un ka guzar hoga to kya hoga
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naam ke saath ek do alfÄz kÄ« dum chÄhiye
sher phÄ«kÄ hÄ« sahÄ« lekin tarannum chÄhiye
nam ke sath ek do alfaz ki dum chahiye
sher phika hi sahi lekin tarannum chahiye
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shaiįø³h-sÄhab ne masÄ.il meƱ jakaįø rakkhÄ hai
varna islÄm to ÄsÄn thÄ achchhÄ-įø³hÄsÄ
shaiKH-sahab ne masail mein jakaD rakkha hai
warna islam to aasan tha achchha-KHasa
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jo apnÄ bhaa.Ä« hai rahtÄ hai vo paaƱv kÄ« Thokar meƱ
magar jorÅ« kÄ bhaa.Ä« to gale kÄ haar hotÄ hai
jo apna bhai hai rahta hai wo panw ki Thokar mein
magar joru ka bhai to gale ka haar hota hai
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vo degrÄ kÄ« bajÄ.e mam le kar lauT aayÄ hai
milÄ thÄ dÄįø³hila jis ko samundar-pÄr college meƱ
wo degree ki bajae mam le kar lauT aaya hai
mila tha daKHila jis ko samundar-par college mein
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apnÄ« shohrat kÄ« alag raah nikÄlÄ« ham ne
kisÄ« dÄ«vÄƱ se Ä”hazal koÄ« churÄ lÄ« ham ne
apni shohrat ki alag rah nikali hum ne
kisi diwan se ghazal koi chura li hum ne
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aa.Ä« sadÄ-e-haq ki yahÄ« band-o-bast haiƱ
tere vatan ke log to murda-parast haiƱ
aai sada-e-haq ki yahi band-o-bast hain
tere watan ke log to murda-parast hain
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