TOP 20 ANGDAAI SHAYARI


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añgḌā.ī bhī vo lene na paa.e uThā ke haath


dekhā jo mujh ko chhoḌ diye muskurā ke haath

añgḌā.ī donoñ haath uThā kar jo us ne


par lag ga.e paroñ ne parī ko uḌā diyā

ab bhī barsāt rātoñ meñ badan TūTtā hai


jaag uThtī haiñ ajab ḳhvāhisheñ añgḌā.ī

apne markaz taraf maa.il-e-parvāz thā husn


bhūltā nahīñ aalam tirī añgḌā.ī

be-sāḳhta bikhar ga.ī jalvoñ kā.enāt


ā.īna TuuT kar tirī añgḌā.ī ban gayā

dariyā-e-husn aur bhī do haath baḌh gayā


añgḌā.ī us ne nashshe meñ jab uThā ke haath

dil kyā haal kahūñ sub.h ko jab us but ne


le ke añgḌā.ī kahā naaz se ham jaate haiñ

donoñ hāthoñ se lūTtī hai hameñ


kitnī zālim hai terī añgḌā.ī

ek añgḌā.ī se saare shahr ko niiñd aa ga.ī


ye tamāshā maiñ ne dekhā baam par hotā huā

ilāhī kyā ilāqa hai vo jab letā hai añgḌā.ī


mire siine meñ sab zaḳhmoñ ke Tāñke TuuT jaate haiñ

kaun añgḌā.ī le rahā hai 'adam'


do jahāñ laḌkhaḌā.e jaate haiñ

kaun ye le rahā hai añgḌā.ī


āsmānoñ ko niiñd aatī hai

kyā kyā dil-e-muztar ke armān machalte haiñ


tasvīr-e-qayāmat hai zālim tirī añgḌā.ī

kyuuñ chamak uThtī hai bijlī baar baar


ai sitamgar le na añgḌā.ī bahut

luT ga.e ek añgḌā.ī meñ aisā bhī huā


umr-bhar phirte rahe ban ke jo hoshiyār bahut

phir muñh se are kah kar paimāna girā diije


phir toḌiye dil merā phir lījiye añgḌā.ī

shāyad vo din pahlā din thā palkeñ bojhal hone


mujh ko dekhte jab us añgḌā.ī sharmā.ī hai

shaiḳh-sāhib nasīhat bharī bātoñ ke liye


kitnā rañgīn javāb aap añgḌā.ī hai

sun chuke jab haal merā le ke añgḌā.ī kahā


kis ġhazab dard zālim tere afsāne meñ thā

tum phir usī adā se añgḌā.ī le ke hañs do


aa jā.egā palaT kar guzrā huā zamāna


Stretching of limbs is a normal human act. It acquires many more postures in poetry, especially Urdu poetry that associates stretching of limbs with the enticing beloved. It adds beauty to her gesture and posture and makes her more romantic, sometimes even tantalizing. You would like this selection on its visual representation by the poets.

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